Bebop-The dance elements gradually faded away into a true art of real music by the musicians Miles Davis, Bud Brown, Thelonious Monk, Sonny Stitt, and Ray Brown who wanted to steer away from the commercial type music. sought to use examples of the Jazz musicians of the past such as Lester young, Coleman Hawkins, Earl Hines and Art Tatum to expand Jazz music to another level.
At this time, Jazz music moved away from the basic melodic element of the piece to produce a more abstract chordal sound of dissonant tones, and chromatic patterns. The dissonant tones in Jazz music can be heard when two tones are played simultaneously in a clashing manner that can either sound strange or terrible depending on how the tones of the chord fit together as melody notes from a particular key. Clashing sounds can also occur from the use of lowered fifths and raised fourths.
The chromatic sound the music allows the musician to freely play each of the twelve tones of the instruments without restriction. Musicians were able to play substitute chords as well as altered chords that could change the key of the in a whim. The change in rhythm became more discreetly energetic in sound which is used predominantly in today. For instance, the cymbal was hit in beat of a 1+a 2+ a 3 +a 4 +a while the snare and bass drum are suddenly hit without warning.
Soul Jazz- From the late 1950’s, a style of derived from gospel and soul using the tenor saxophone, repetition with melodic groove hooks, and less intricate improvisation occurred over the chordal harmonies. The music from the popular radio artist of the time known as Ramsey "The In Crowd" a hit in 1965. Souls Jazz music signature was powerful bass lines and changing tempo of the song.
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